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PICTURES 
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JOSEPH PENNELL’S 
PICTURES OF PHILADELPHIA 








INDEPENDENUE SQUARE AND THE STATEJHOUSE 


JOSEPH PENNELL’S 
PICTURES OF PHILADELPHIA 


REPRODUCTIONS OF SIXTY-FOUR 
LITHOGRAPHS MADE BY HIM 
WITH 


AN INTRODUCTION 
BY 


ELIZABETH ROBINS PENNELL 





PHILADELPHIA AND LONDON 
J. B. LIPPINCOTT COMPANY 


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COPYRIGHT, 1924, BY J. B. LIPPINCOTT COMPANY > 


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INTRODUCTION 
HILADELPHIA 1s no longer the Philadelphia that I knew, that 


Joseph Pennell knew, when we were young—no longer even Our 
PHILADELPHIA, of the book we came home once to make from a many 
years exile in England. 

William Penn might have recognized his peaceful green country 
town in the Philadelphia of our earlier years, though probably not 
without dismay at its already amazing growth. As I remember it then, 
its decent narrow streets had not been narrowed into alleys by sky- 
scrapers out of all proportion, its green squares had not been deprived 
of their high iron railings, a heavy pile of masonry had not replaced 
the one large breathing space in the centre of the city. Trees shaded 
the immaculately clean brick pavements, flowers blossomed in spa- 
cious back yards, grapes hung over high verandas, the British sparrow 
was unknown. Philadelphia was big, rich, industrial, but it retained 
the old Quaker look and charm, a fitting background for the more 
important and beautiful Colonial buildings that remained its pride. 

It is astonishing how unerringly Joseph Pennell turned to these 
old landmarks in his first search for beauty. As a child he knew they 
were beautiful; as a youth he began to draw them. I never would 
have known just how beautiful they were but for him. Our first work 
together—for ‘““The Century Magazine’—had to do with the old 
Philadelphia that was so much older than ours. To gowith him through 
the familiar streets was a voyage of discovery. Old St. Peter’s was 
just around the corner from me, I passed the old State House almost 
daily and the old Hospital as often, lower Spruce and Pine Streets 
were lined with old Colonial houses undefiled by the invasion of the 
alien. But I took them all for granted, as indifferent to them as to the 
ugly library to which many of the daily walks led, or the unsightly 
warehouses across the street from our front windows. It was he who 
opened my eyes to the loveliness and dignity of the simple old archi- 
tecture, who awoke my interest in its historic associations. 

This was for me a season of adventure, discovery following dis- 
covery. For our work, we wandered further, to the Old Swedes’ Christ 


Church, the Fourth and Arch Street Meeting House which was dearest 
7 


of all to him; for our work we went driving down queer old alley ways, 
—as marvellously picturesque as any in London or Edinburgh he used 
to say, though I doubt if William Penn would have approved of their 
picturesqueness; for our work we had long walks to Germantown to 
see its fine old houses, to the Wissahickon and its balconied inns, to the 
Park and its mansions, as far as to Bartram’s and its garden, in those 
days an enchanting wilderness where there was scarcely ever another 
wanderer to share it with us. I was passing through my apprentice- 
ship. He was already launched upon that career as illustrator for 
which he felt himself predestined, and many fine drawings tell the 
story of those first days of the many years of our work together. 

When, after almost thirty years’ absence, we returned in 1912 to 
visit our old Philadelphia, it had transformed itself into a new Phila- 
delphia, changed beyond belief. It had the grace to show some respect 
for the past, not quite rivalling New York in trying to look as if it had 
never had a past. It had committed horrid acts of vandalism, was still 
to commit them—Joseph Pennell never did forgive, for one, the later 
destruction, for it is nothing else, of the old Fairmount Water Works 
in their perfect little park—‘‘most beautiful architectural composition 
in America,” is his description, “destroyed to build an Art Gallery.” 
The old Philadelphia Library and other old buildings had vanished 
in 1912. But, on the whole, Philadelphia clung to the most notable 
landmarks that had made it famous as well as given it beauty. The 
old churches and meeting houses were still there, and the old German- 
town houses and the Park mansions and Bartram’s. But there was a 
difference. They had ceased to be in complete harmony with their 
background, they had little in common with the new edition of Penn’s 
city, they mostly stood out from their brand-new surroundings, as 
unmistakably as if labelled “Historic Monuments.”’ 

However, that they were there was the great thing, and Joseph 
Pennell fell to drawing them all over again, though with a surer hand 
and the knowledge gained by long study of the architecture of Europe. 
He loved them no less, more if anything. He had often felt and said 
that the charm of many an old Eighteenth Century English town was 
in its looking so like his Philadelphia, and the buildings themselves, if 
now out of the picture, lost nothing by the comparison which the years 

8 


in England enabled him to make. But, because he loved the old, he did 
not disdain the new. He could never be accused of narrowness of 
vision—or of thought either, for that matter. He took his beauty 
where he found it, and he found beauty in the narrow streets deep 
down between the towering skyscrapers—‘“‘the canyons,” as he had 
already called Broadway and other New York streets of skyscrapers. 
He found beauty in the very contrast between the new, so aggressive, 
so self-assertive, and the old, so ruthlessly overpowered—the little 
meeting house in Twelfth Street, for instance, he delighted to draw 
splendidly holding its own at the base of the incredibly tall and mas- 
sive modern bulwarks. He found beauty in the very growth of industry 
and commerce instead of sharing Ruskin’s scorn and hatred of it—in 
the new maze of rail tracks of the Pennsylvania and the Reading, in 
the new crowd of locomotives in their yard, in the smoke and bustle 
of the train shed, in the confusion of bridges and shipping and factories 
along the more-than-ever commercialized Schuylkill. At his every step 
the new Philadelphia provided him with subjects. The skyscrapers 
from a distance were as fine as when seen close-by, massed above the 
house tops. The elevated could arrange itself into bewildering designs. 
The WonbDER or Work filled the huge manufacturing metropolis that 
had replaced the quiet Quaker town. That summer he made drawing 
after drawing, lithograph after lithograph, a record for all time. 

To this record the last fourteen years have added a value that will 
increase as the years go on. The few Americans—the few Philadel- 
phians—who care will already look in vain for some of the houses and 
places and points of view that were his inspiration when we came back 
in 1912 to re-discover Philadelphia. In the near future they may look 
no less in vain for the little that survives today. In America, it 1s 
beauty whose hand is ever at his lips bidding adieu. But, at least, the 
beauty that has been swept away, that will be swept away, lives in 
JOSEPH PENNELL’S PicTtURES OF PHILADELPHIA that are a record 
of his great love for Philadelphia—Penn’s Philadelphia—the Phila- 
delphia of the Friends from whom he sprang. 

ELizABETH Ropins PENNELL 
BROOKLYN HEIGHTS, N. Y. 
JUNE, 1926 


4 


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ILLUSTRATIONS 


TRDEPENDENCE SQUARE AND THE STATE HOUSE..............0.000 exe ucueweaceess Frontispiece 

dean STAT: House rrom INDEPENDENCE SQUARE... ......05. 6c ¢eccc ccc cuccevccscuevucceecees 13 
Ree SOR Oo, oS ha hn ten oe hase, AR oven icicue VRE RI opm ae ORS eb wer 15 
re ere OL ONIN ADE 2 Oi satin, <i. <1 S14 PEED eek cs al eB ctueg rice Ss ee bce sda Wa Leder 17 


“ProctaIM Liserty THroucHour ALL THE Lanp Unto Aut tHe INHABITANTS THEREOF’.... 19 


INDEPENDENCE Hatu: Tue Orictnat Desk on WuiIcH THE DECLARATION OF INDEPENDENCE 


aR a rie nel EE gle EM oP nl RAs, aim Wd ante dehenioaas & 2] 
RE Se SILO PRS FLOUGT iis jogs © gos aewtts & ono Ghee ds mule 04 Dohwlastia Leven caw cy ween 23 
Pepe emcee HALI— LENGTHWISE VIEW... oi. 6.0 ec ce fe cw neces cus cou wausubonehecebnus 25 
ee ROME ICO E TP 77 Le he Soe Pe comet neh Mate Fake ners See ot cE oka, Q7 
IER etd LPG TERIOR 1. coos ss x eo ae eRe ce dee ln ee cs ek wrtece me URS 29 
Meme eC (FROM OMCOND STREET: . sc). .40 see on vuiead oduct bd es culeovn eiedoeucbevi owned 31 
OE I Oe es ps a A Cee eee Ba wey 2 Ral ny be Wh ew neo th tbls 33 
mre ee aT Cris) CHURCH... oe cs cea Jas dale cleo s Hay Bes bo eh owe ee 35 
ee eee OE ING FLOUSE: <0. os 2 5 oo au dew ks Cs cep en yw Beeb cue eu een Gk okbudeed is OWE 
yg ienS SLE c 2 ¢G GI a an en Ti ee ae ee ee ee a 39 
Porrrmanp ancy orapprs Merrina House. ...).-. <2 2.65.02. es nn sve endoacwnadelvcvsianen 41 
ee eer MRT ING —- INTERIOR J. 04 269. vis 65's a wv le oo ee ee ses WOE we who Le 43 
eR reer en ETTING ELOUSH. 2osc0 oak ec os oo bss ecw «sv Res dado ow he ean ys wee 45 
eeeme rere y Oya, GERMANTOWN... <2 o« sec vcs dnw bls de due cutaw ilo pad sweet dg eniineemn al 47 
CE MESSE PE 0h 2 ee ee 6. tate eke YUAN. lial wie ato 49 
beeerreiae a WU RCH YARD Ger 3.4 Gs bs ona ons Sage eda oben PE ae oie” 44.) SPA RE Re Sa 51 
SarmPoverr, St. Perurm’s................ teins Gri he Vids: & 0» Bs EE: AE oe EEE eee 53 
First PresBYTERIAN CHURCH, SEVENTH STREET AND WASHINGTON SQUARE................---. 55 
nM ern te RCIA TOTO WIN oe ack sk aglycone nh ee Pe eo ee 57 
ERE ae APES AIT SOWIE). Ce a oe eens kek wl s Lawes ee ee 59 
See EEE EL OUGE N00 sia cg ns. Gone 4 neg 4 ain bb ag Athen dR Le 61 
errr e rela tivrprN, THY Cimw HOUSE....... .-.. 2006. e0seesgdau oul ceeds vaeueuneuonee 63 
MIE OMAR SCE VICIIEN co. o's ssc co bbs Keds | vo bv pw ee ese Ok eee os ee 65 
PUIRMRNI EEMNEURTEO I eS ree La ae wlohe wich date ceed Fee Sas Aa ee eae 67 
pee eee COMMA RLTERCA TOWN god s.¢ aio. osc 5d 4X cd alors oR beep tas bs od oe Ge aa ee 69 
PapOt Nv TAPN STRenT, GRRMANTOWN..... 54.0045 fesesbhsuweasv desde nedniuces sh besa eabe. 71 
EME RE MOM MTSE TLING SSS goose aes a ov De Fe be wees « he ee 73 
Re Ne RLLOOM. SOTEN TON oo os05.e.c. 00s even wD on ROU w Coe lees PRO EE, Ue eee 75 
UE i a on ela ed gs tv oath an Cole 8 aT ae rs eee es Figs 
ee MsIOORWAY FROM WITHIN...) 0... = s560e~ ida duene eo me eee ee ae Woe eee 79 
Ne as eS CE ele ay 5 eal era LuMde Chaucer ee re 81 
MimeesOnnisi1OuaN-ON LicHrTu STREBTA . /55 och ewes ban ae odes ee ee eee 83 
Pe Mme RCHING = USN “WARD, g50 oy ssf oo oid oats wa dove Wem ced rene ie ate ee eee cee ea 85 
Pam weeny STREET OTAIRG NEAR THE RIVER. ...40.. 2025. s os soe ee ee ee ee 87 


Tae OLp WATER- WORKS, FAIRMOUNT: PARK is ose ows oe ie DS Ae ee eek eae eee 89 


ENTRANCE TO FAIRMOUNT AND THE WASHINGTON STATUE...........0.. 000 cece cence eens ceeeens 91 
Tae Smira MemoriaL, West FAmRMOUNT PARK: 2.206052 .<0 20.5% fase) - eee 2 ee ee 93 
THe TONNE IN THE PARK. 6.5 flees bs boi oak Ca ee ee i ee 95 
Tre CATHEDRAL, LOGAN SQUARE. i< 0 cee bee ee a ae ee 97 
Looxine uP Broap STREET From SprucE STREBT........ 0500000. oop (@ os. oases e ee ts oe 99 
Tae Grarp Trost COMPANY. 20.) ics .5 6. bo bee kv ee g Pinos os gee ea ee 101 
Tar Union Leacue BreTWEEN THE SKYSCRAPERS:....5..52..65-4--¢24000¢70000 95 0) 103 
Broap Street, Looxine SoutH FROM ABOVE ARCH STREET................. 0050-00 e cece eee 105 
Locust Strert East rrom BROAD STREET. ....05.. 22.00.0000 o 008 st ce se ee 107 
THe PHILADELPHIA CLUB—THIRTEENTH AND WALNUT STREETS...............2.0-+.04 5-09) oe 109 
“THe LirrLe STREET OF CLuBs,”’ CAMAC STREET ABOVE SPRUCE STREET...............--+-+-- 111 
In RrrreEnnHOUsE SQUARE... fe c< teens alee sive be eles ole t ole te Po eles Gtre 2 Soe ee 113 
DELANCEY: PLACE. 2. Seco oe 0 eins bes ce ne ae ns bs a te pee te ce 115 
Down Pine STREET. 620-6 ce io ob os ee ek ee Pe pe ee oe Ee 117 
THe PENNSYLVANIA HospiraL FROM THE GROUNDS. ..:...4...000-00+.-22-2 2 056 pe 119 
CLINTON STREET, WITH THE PENNSYLVANIA Hospitat aT Its END.....................+2-005-- 121 
Tue MarKET STREET ELEVATED AT THE DELAWARE END................-0 00000 eee ete eres ea 
SECOND STREET MARKET: «. . focc)e 05a See we ares a slew ofa ue apdtalets © 5 ahaa geen nee keer +a SS 
Tur Groeroms Hover? yg.) 2 a ee ee eee es 127 
Dock STREET AND THE EXCHANGE... 0.0.00. ccc vue be cw ne) ee 129 
Tue Train Suen, Broap STREET STATION. .... 0.5.0 652 64-5 ee bee 131 
On tHe READING, at SIXTEENTH STREET,....-...06...0057205 5 es 42 2 rr 133 
Tue ScHUYLKILL SOUTH FROM CALLOWHILL STREET............. (-.-.-5 0.) 2 135 
Sunset, PHILADELPHIA FROM ACROSS THE DELAWARE.......:..- 022.55 +5-+.5.) 980 137 


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FIRST PRESBYTERIAN CHURCH, SEVENTH STREET AND WASHINGTON SQUARE 


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MAIN STREET, GERMANTOWN 


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LOUDOUN, MAIN STREET, GERMANTOWN 


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THE PHILADELPHIA CLUB 
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ON THE READING, AT SIXTEENTH STREET 


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THE SCHUYLKILL SOUTH FROM CALLOWHILL STREET 


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